Luca Reverdit

French writer, graphic artist, 
editor and self-publisher.

These practices are inscribed in the fields of graphzine, concrete poetry, self-fiction, visual anthropology, contemporary drawing, post-conceptual art, relational art and prompt engineering.

1/4 of Éphéméride
1/2 of pauvre Terre



Mail
Instagram
(+33)6 59 74 43 99



Education

2022
Dnsep Communication, Ensad, Nancy

2020
Dna Graphic Design, Ensba, Lyon

2018
Bts Graphic Design, Martinière, Lyon



Shows

2023
Éphéméride Festival, graphic and visual arts festival curated and organised with Éphéméride, Grande Halle of Octroi, Nancy

Ask Doctor Lulu, Crack Festival, Forte Prenestino, Rome

Stalactites in a White Cube, with Pauline Sesniac, Talk C.E.C. Art Center, Brussels

2022
Éphéméride Office, artistic residency with Éphéméride, S001 Gallery, Campus Artem Art Center, Ensad, Nancy 

Je l’écris, je le dessine, je l’imprime, je le diffuse, solo show, Ensad, Nancy

2021
Oracles, with Marine Brilloit, Juliette Brouet, Elise Deubel, Morgane Duflos, Manon Galland, Paul Heguy Garance Henry Léa De Matteo Marie Michalikova, Margaux Moritz, Joseph Poirot, Eva Prusiewicz, Lola Sarrabere, Dylan Tichit & Marie Tralci, Faux Mouvement Contemporary Art Center, Metz

2019
The first, the second, the third and the fourth, with Parade Paradis, Emily Harvey Foundation, New York



Bilbiography

Étapes, Diplômes d'écoles d'art et de design 2022, issue 270, 2022.





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Luca Reverdit

French writer, graphic artist,  editor and self-publisher.

These practices are inscribed in the fields of graphzine, concrete poetry, self-fiction, visual anthropology, contemporary drawing, post-conceptual art, relational art and prompt art.

1/4 of Éphéméride
1/2 of pauvre Terre



Mail
Instagram
(+33)6 59 74 43 99



Education

2022
Dnsep Communication, Ensad, Nancy

2020
Dna Graphic Design, Ensba, Lyon

2018
Bts Graphic Design, Martinière, Lyon



Shows

2023
Éphéméride Festival, graphic and visual arts festival curated and organised with Éphéméride, Grande Halle of Octroi, Nancy

Ask Doctor Lulu, Crack Festival, Forte Prenestino, Rome

Stalactites in a White Cube, with Pauline Sesniac, Talk C.E.C. Art Center, Brussels

2022
Éphéméride Office, artistic residency with Éphéméride, S001 Gallery, Campus Artem Art Center, Ensad, Nancy

Je l’écris, je le dessine, je l’imprime, je le diffuse, Ensad, Nancy

2021
Oracles, with Marine Brilloit, Juliette Brouet, Elise Deubel, Morgane Duflos, Manon Galland, Paul Heguy Garance Henry Léa De Matteo Marie Michalikova, Margaux Moritz, Joseph Poirot, Eva Prusiewicz, Lola Sarrabere, Dylan Tichit & Marie Tralci, Faux Mouvement Contemporary Art Center, Metz

2019
The first, the second, the third and the fourth, with Parade Paradis, Emily Harvey Foundation, New York






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Fastwalkers

Fastwalkers is the first synthetic comic book whose texts and images are produced with emerging AI, it is a nonlinear meditation on deep learning that celebrates the unexpected poetics of generative computing and explores its potential to form new reader sensibilities.
    Born out of Manouach’s ongoing experimentation with the informational abundance and affective economies of comics, this is a wildly vibrant hallucinogenic book in which all text and images have been produced by machine learning.
    Since its beginnings in the late 19th century the comics industry has expanded symbiotically alongside the development of printing, distribution, and communication technologies. As a highly digitized medium with active online communities, comics lend themselves to the programmatic processes that define machine learning and today synthetic processes are reshaping how we produce, consume, archive and understand all media, including comics.
    Co-created with the latest AI (GAN, GPT-3), and developed by an interdisciplinary team of computer scientists and designers, Fastwalkers is an amalgamation of different community datasets, proprietary algorithms, indexing regimes, beta testing, and generative models, all trained on millions of data units and text bodies specifically to make this book. The result is a semantic landscape of ambient layers whose harmonies and dissonances reveal the aggregate nature of knowledge exchange in the semiocapitalist age and illuminate the inherent computational qualities of comics to play with the latent space lurking in the reader’s cognition.

Research & production from Echo Chamber, A.I. models by Yannis Siglidis, general affairs by Dimitrios Vourakis, A.I. consultancy by Vitalii Duk, Themos, Stafylakis and Yannis Panagakis, editorial, graphic & type design by Luca Reverdit, copy editing by Kasia Maciejowska

Ilan Manouach, published by La Cinquième Couche (Belgium), CCC (Portugal), D Editore (Italy), 512 pages, 24 X 30 cm, offset printing, paperback with hot stamping, english langage, 978-2-39008-086-2.
2022


Photographs by Ionuts Zimbru.

Scantrahison

  Anthropology of the iconographic material present in the mangas broadcast on FuryoSquad, Scantrahison constitutes a visual investigation on the stakes of the scanlation of furyos and underground mangas.
    An editorial attempt on the alteration of the meaning produced during the operations of translation within a sub-genre of mangas built from a discussion. A mechanical work of selection, sampling, editing and ink drawing of images originally intended to situate stories spatio-temporally.

226 pages, art size (21 x 28 cm), laser printed mock-up and online readable files, french and english language.

Iso A4 and A3, indian ink drawings on paper machine & 44 x 33 x 5 cm, plasma-cut steel hanging supports, arc welding and cylindrical magnets.

Contact for prices
2022


Photographs by Juliette Lefèvre.

Notes Berlin

Self-fictionalized novel written on an iPhone as part of a research residency at Floating University in 2021.

98 pages, 13.5 x 21 cm, digital offset printing, perfect binding, french language, self-published, 978-2-9583206-1-4.

12€


2022






Notes New York

Self-fictionalized novel written on an iPhone as part of Parade Paradis’s group exhibition The first, the second, the third and the fourth at the Emily Harvey Foundation in 2019.

128 pages, 13.5 x 21 cm, digital offset printing, perfect binding, french language, self-published, 978-2-9583206-0-7.

12€


2022
    





Je l’écris, je le dessine, je l’imprime, je le diffuse

Virtual sculpture which crystallizes the issues and delusions related to the combinating the practices of author, designer, printer and publisher.

Main piece animated by Pauline Sesniac for my eponymous show at Ensad Nancy.

3D animated loop.

Watch Now

2022


Photographs by Juliette Lefèvre.